Stan Getz Sax Solos Pdf Editor

Stan Getz Sax Solos Pdf Editor Free
Stan Getz Wikipedia
Stan Getz Songs
Stan Getz Youtube Music
Free Alto Sax Solos Sheet Music

Cahn’s lyrics are a personal reminder of how lucky it is to be in love with a special person, hoping that “the passing years will show, you’ve kept my love so young, so new.” Chris Tyle

Of the guitarist's wife astrid and american sax player stan getz turned it into a massive hit. Related PDFs: the girl from ipanema (bb instruments) - fourshortsmusic, the girl from ipanema (eb instruments) - fourshortsmusic, tenor sax girl from ipanema g^7 a7 youtube, girl from ipanema lead sheet piano.

Musical analysis of “Time After Time”
Original Key	C major
Form	A1 - B - A2 - C
Tonality	Primarily major; A minor and E minor tonalities occur in “B.”
Movement	Intervallic figures with passing tones, leaping upward with stepwise descent.
Comments (assumed background)
Nice melodic construction beginning in the lower range and gradually climbing to a “big finish” on the tonic an octave higher. A mixture of harmonic progressions and devices are used here. “A” begins with the “ice cream changes” (“Blue Moon,” “Heart and Soul,” etc.) and then goes into a diatonically ascending I - ii - iii progression followed by the start of a vi - ii7 turnaround. Instead of resolving to V7 - I, however, the descending bass line changes the ii chord into a ii^ø7/I in the relative minor (Dm becoming Bm7⁽^b5) resolving to Am). This descending bass line device is used twice more, eventually winding up on a Dm7 chord, facilitating an easy modulation back to the original key. “C” consists of a number of popular turnarounds that sound like an extended ending (which it seems to be). A second-inversion tonic chord is followed by a half diminished chord built on the flatted fifth, leading to a iv - iii7 sequence (see mm. 8 -10 of “Night and Day”). A vi - ii7 progression follows this, but the final resolution to I is creatively delayed by the insertion of another iv chord after the ii7 before the iii - vi - ii7 sequence that eventually ends with a final V7 - I cadence.
K. J. McElrath - Musicologist for JazzStandards.com Check out K. J. McElrath’s book of Jazz Standards Guide Tone Lines at his web site (www.bardicle.com).

1,893views|27 favorites|0 comments

The score can be downloaded in the format of your preference:

Musescore

Open in Musescore

PDF

View and print

Video tutorial

Open in any player on any device

MusicXML

Open in various software

MIDI

Open in editors and sequencers

MP3

Listen to this score

Your download has started. Having troubles downloading? Try again

marczellm worked hard on this score.

Want to give something back?
Give a small token of appreciation!

Your download has started. Having troubles downloading? Try again

More of this, please?

Follow to get notified when marczellm has uploaded new scores.

marczellmOr give a reward instead

Watch new piano tutorials every day on our channel